1. #1

    Stranger on the Third Floor - 06-18-2018 02:23 PM

    Newspaper reporter John McGuire plunges right into a nightmare of guilt, fearing that his “proof” has sentenced the unsuitable guy to demise. A surprising instance of cinematic expressionism, cited through many as the primary studio movie shot in a fully noir taste. Peter Lorre nearly reprises the eerily convincing character he created in Fritz Lang’s M, including an emotion-wringing melancholia to his efficiency as a paranoid, misplaced soul. That includes the astounding artwork path of Van Nest Polglase and the intense cinematography of Nicholas Musuraca, in addition to reportedly uncredited script paintings through Nathanael West (The Day of the Locust)!
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